Ballet Terminology in French
You watched Romeo and Juliet last
night but you did not even notice that it was a “pas de deux”
performance. Romeo made an “avant” towards Juliet so she immediately
jumped “arriere”. All in all, both ballerinas were “virtuoso”.
Sounds alien to your delicate ears? In this dance that originated on
the 17th century in Europe, most of the words are French.
However, even if you will be in a studio in Canada or Russia, they
will still use the same because it is universally understood.
Here are some of the ballet
terminologies to get us familiar even if you would not be studying
this dance. It is great to have wide knowledge on things beyond our
interest.
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Arrière, en [ah na-RYEHR] |
Backward. This ballet terminology is
used to indicate that a step is executed moving away from the
audience.
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Avant, en [ah na-VAHN] |
Forward. This ballet terminology is a
direction for the execution of a step. Used to indicate that a given
step is executed moving forward, toward the audience.
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Battement dégagé [bat-MAHN day-ga-ZHAY] |
Disengaged battement. This ballet
terminology is of the Cecchetti method. The battement dégagé is
similar to the battement tendu but is done at twice the speed and
the working foot rises about four inches from the floor with a
well-pointed toe, then slides back into the the first or fifth
position. Battements dégagés strengthen the toes, develop the instep
and improve the flexibility of the ankle joint.
 |
Bras bas [brah bah] |
Arms low or down. This ballet
terminology the dancer's "attention." The arms form a circle with
the palms facing each other and the back edge of the hands resting
on the thighs. The arms should hang quite loosely but not allowing
the elbows to touch the sides.
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Changement de pieds [shahnzh-MAHN
duh pyay] |
Change of feet. This ballet
terminology is usually abbreviated to alter. Changements are
springing steps in the fifth position, the dancer changing feet in
the air and alighting in the fifth position with the opposite foot
in the front. They are done petit and grand.
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Cou-de-pied, sur le [sewr luh
koo-duh-PYAY] |
On the "Neck" of the foot. This
ballet terminology means that the working foot is placed on the part
of the leg between the base of the calf and the beginning of the
ankle.
 |
Demi-pointes, sur les [sewr lay
duh-mee-PWENT] |
On the half-points. This ballet
terminology indicates that the dancer is to stand high on the balls
of the feet and under part of the toes.
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Développé, temps [tahn dayv-law-PAY] |
Time developed, developing movement.
This ballet terminology through common usage has become abridged to
développé. A développé is a movement in which the working leg is
drawn up to the knee of the supporting leg and slowly extended to an
open position en l'air and held there with perfect control. The hips
are kept level and square to the direction in which the dancer is
facing.
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Écarté [ay-har-TAY] |
Separated, thrown wide apart. This
ballet terminology is one of the eight directions of the body,
Cecchetti method. In this position the dancer faces either one of
the two front corners of the room. The leg nearer the audience is
pointed in the second position à terre or raised to the second
position en l'air. The torso is held perpendicular. The arms are
held en attitude with the raised arm being on the same side as the
extended leg.
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Effacé, effacée [eh-fa-SAY] |
Shaded. This ballet terminology is
one of the directions of épaulement in which the dancer stands at an
oblique angle to the audience so that a part of the body is taken
back and almost hidden from view. This direction is termed "ouvert"
in the French method. Effacé is also used to qualify a pose in which
the legs are open (not crossed). This pose may be taken devant or
derrière, either à terre or en l'air.
Take note that there are dozens more of ballet terminologies. The
above is just a glimpse of what will be highly used upon training
and practice. So, are you ready to talk ballet?
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